Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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George Landseer
His Highness Maharaja Tukoji II of Indore

ID: 39818

George Landseer His Highness Maharaja Tukoji II of Indore
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George Landseer His Highness Maharaja Tukoji II of Indore


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George Landseer

b.1833 Succ c.1844 r.1852-1886   Related Paintings of George Landseer :. | Portrait of a Woman art | Twilight,a Sketch | Der gekronte Redner | View of the Tiber and Castel St Angelo | Vallflicka med getter |
Related Artists:
Abraham Govaerts
Abraham Govaerts (Antwerp, 1589 - 9 September 1626) was a Flemish Baroque painter who specialized in small cabinet-sized forest landscapes in the manner of Jan Brueghel the Elder and Gillis van Coninxloo.[1] He became a master in Antwerp's guild of St. Luke in 1607-1608, and subsequently trained several other painters in including Alexander Keirincx. Govaerts' paintings, such as A Forest View with the Sacrifice of Isaac (Alte Pinakothek, Munich), typically show diminutive history, mythological or biblical subjects within a Mannerist three-color universal landscape bracketed by repoussoir trees. The figures were often added by other artists, especially by members of the Francken family.
Ellen Day Hale
1855-1940 was an American painter and printmaker. She was born in Worcester, Massachusetts, her family was involved in the arts, her father Edward Everett Hale was an author, her great-aunt Harriet Beecher Stowe wrote Uncle Tom's Cabin. She studied art under Boston painter William Morris Hunt and helped raise her 7 brothers and sisters. Later she studied in at the Academie Julien in Paris.
Raja Ravi Varma
1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market.






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